Gino Bellante
A refined yet intentionally simple style shapes the room, with the river and the old barns of the neighbouring Val di Fiemme standing out in the paintings: landscapes to experience during the day and to marvel at while sipping a hearty cup of afternoon tea. After a relaxing and colourful shower, the private balcony will give you the chance to admire the spectacular view of the enrosadira painting the mountains pink at sunset.
- Private balcony with view of Gran Vernel
- Chromotherapy shower
- Steam-effect electric fireplace
- High-quality mattresses
- Minibar and safe
- Multilingual Smart TV
- Wooden flooring
- Windowed bathroom
- Selection of fresh fruit upon arrival
- Pillow menu with a variety of pillows to choose from
- Soft blanket
- Premium courtesy line with natural high-end products
- Kettle with a selection of herbal teas, tea, and coffee
- Comfortable bathrobes, towels, sauna towels, and slippers
- High-speed fiber-optic Wi-Fi connection
- Housekeeping service - twice-daily
- Comfortable shoehorn with brush
- Umbrella
- Mattress topper
- Choice of duvet and full bed setup
- Fabric laundry bag
- Two Montura merino wool blankets
- In-room temperature control
Gino Bellante
His life was a continuous search for that creative mystery capable of capturing an instant, an emotion, a memory, a brief or eternal moment, a word spoken with the color of the day or the evening on the canvas.
Self-taught, he learns to paint from artists he met almost by chance and through careful observation of the works of the great Italian masters. Throughout his life he often went to Florence where he was struck by the Tuscan Macchiaioli works. In that expressive technique he will refine his personal pictorial setting and at the age of 47 decided to quit the management of the family hotel to fully devote himself to painting.
During his long artistic journey, Gino mainly exhibited in Italy, collecting prizes, successes and appreciation everywhere. He was a local pictorial voice, imbued with those colors that he looked every day out of his studio windows or looked for them along the paths and country roads around Cavalese.
He often devoted himself to paint still lives, flowers, fruits, everyday objects but his sensitivity, influenced by the great French impressionists, Monet and Cézanne in the first place, was expressed best outdoors by painting meadows and trees, houses from afar, suspended horizons like his proceeding in existence, always slowly, with curiosity, trust and constancy.
Of exquisite workmanship are the portraits he painted with great artistic brightness.In the faces of elderly women and of the mother in particular, there is an invitation to slow down time and enjoy the little seeds of daily happiness without forgetting the fatigue and pain that are strewn with lived lives. Gino, with a thick and long beard, continued working until the end, he gave drawings, small paintings, traces of color on the back of new postcards to those who went to visit him, the simplicity of communication, his way to express in order to nurture and share.Many houses in Fiemme proudly save his works, his landscapes, his words. And those colors often reflect the sense of being and living that we often look for it in vain without the vitality of art.
Gino Bellante
His life was a continuous search for that creative mystery capable of capturing an instant, an emotion, a memory, a brief or eternal moment, a word spoken with the color of the day or the evening on the canvas.
Self-taught, he learns to paint from artists he met almost by chance and through careful observation of the works of the great Italian masters. Throughout his life he often went to Florence where he was struck by the Tuscan Macchiaioli works. In that expressive technique he will refine his personal pictorial setting and at the age of 47 decided to quit the management of the family hotel to fully devote himself to painting.
During his long artistic journey, Gino mainly exhibited in Italy, collecting prizes, successes and appreciation everywhere. He was a local pictorial voice, imbued with those colors that he looked every day out of his studio windows or looked for them along the paths and country roads around Cavalese.
He often devoted himself to paint still lives, flowers, fruits, everyday objects but his sensitivity, influenced by the great French impressionists, Monet and Cézanne in the first place, was expressed best outdoors by painting meadows and trees, houses from afar, suspended horizons like his proceeding in existence, always slowly, with curiosity, trust and constancy.
Of exquisite workmanship are the portraits he painted with great artistic brightness.In the faces of elderly women and of the mother in particular, there is an invitation to slow down time and enjoy the little seeds of daily happiness without forgetting the fatigue and pain that are strewn with lived lives. Gino, with a thick and long beard, continued working until the end, he gave drawings, small paintings, traces of color on the back of new postcards to those who went to visit him, the simplicity of communication, his way to express in order to nurture and share.Many houses in Fiemme proudly save his works, his landscapes, his words. And those colors often reflect the sense of being and living that we often look for it in vain without the vitality of art.
