Umberto Moggioli
- Private balcony with view of Col Rodella
- Chromotherapy shower
- High-quality mattresses
- Minibar and safe
- Multilingual Smart TV
- Wooden flooring
- Selection of fresh fruit upon arrival
- Pillow menu with a variety of pillows to choose from
- Soft blanket
- Premium courtesy line with natural high-end products
- Kettle with a selection of herbal teas, tea, and coffee
- Comfortable bathrobes, towels, sauna towels, and slippers
- High-speed fiber-optic Wi-Fi connection
- Housekeeping service - twice-daily
- Comfortable shoehorn with brush
- Umbrella
- Mattress topper
- Choice of duvet and full bed setup
- Fabric laundry bag
- Two Montura merino wool blankets
- In-room temperature control
Umberto Moggioli
Moggioli, solitary and thoughtful, devoted himself in this period to landscape painting. Later he exhibited at the Venice Biennale in 1909; he made together with other artists the decoration of various panels in the Castle Gardens on Burano island. He moved with his wife to the island in 1911 where he met various painters such as Rossi, Casorati and the critic and director of Ca ‘Pesaro Barbantini.
Some of his paintings of this period were evaluated masterpieces, such as The Il ponte verde ,1911, Cipresso Gemello,1912 and Primavera a Mazzorbo ,1913.
In 1912 he exhibited with a solo show in Ca ‘Pesaro and in the following years in Rome.
He had deep friendship with Cesare Battisti, he followed him enlisting as a volunteer in the Legion of Trentino in 1915; he was assigned to the cartographic department on the Vallagarina front because of his ability as a draftsman. The following year he was reformed struck by a serious illness,
During his convalescence he resumed painting, portraying the hills of Garda lake and its surroundings, influenced by his fellows painters Garbari and Rossi.
At the end of 1916 he moved again, this time to Rome, settling in an atelier at Villa Strohl. He started to work with Antonio Rizzi making cartoons for the mosaics of the Monument to Vittorio Emanuele.
Moggioli’s artistic activity was very intense and varied: the colors are lighter and brighter and he prefers subjects such as figures, interiors and landscapes with almost devoid of horizon.
Affected by the infamous Spanish flu, he died at the young age of thirty-two in Rome, on January 26, 1919.
Venice celebrated him the same year of his death with the exhibition of his works at the Accademia and with a solo show at Ca ‘Pesaro; a large retrospective was dedicated to him at the Venice Biennale in 1920.
The Mart of Rovereto displays some of his works on the permanent exhibition.
Umberto Moggioli
Moggioli, solitary and thoughtful, devoted himself in this period to landscape painting. Later he exhibited at the Venice Biennale in 1909; he made together with other artists the decoration of various panels in the Castle Gardens on Burano island. He moved with his wife to the island in 1911 where he met various painters such as Rossi, Casorati and the critic and director of Ca ‘Pesaro Barbantini.
Some of his paintings of this period were evaluated masterpieces, such as The Il ponte verde ,1911, Cipresso Gemello,1912 and Primavera a Mazzorbo ,1913.
In 1912 he exhibited with a solo show in Ca ‘Pesaro and in the following years in Rome.
He had deep friendship with Cesare Battisti, he followed him enlisting as a volunteer in the Legion of Trentino in 1915; he was assigned to the cartographic department on the Vallagarina front because of his ability as a draftsman. The following year he was reformed struck by a serious illness,
During his convalescence he resumed painting, portraying the hills of Garda lake and its surroundings, influenced by his fellows painters Garbari and Rossi.
At the end of 1916 he moved again, this time to Rome, settling in an atelier at Villa Strohl. He started to work with Antonio Rizzi making cartoons for the mosaics of the Monument to Vittorio Emanuele.
Moggioli’s artistic activity was very intense and varied: the colors are lighter and brighter and he prefers subjects such as figures, interiors and landscapes with almost devoid of horizon.
Affected by the infamous Spanish flu, he died at the young age of thirty-two in Rome, on January 26, 1919.
Venice celebrated him the same year of his death with the exhibition of his works at the Accademia and with a solo show at Ca ‘Pesaro; a large retrospective was dedicated to him at the Venice Biennale in 1920.
The Mart of Rovereto displays some of his works on the permanent exhibition.
